Saturday, 27 October 2012

Research from The Photography Book

The Photography Book

I've now been set the main project brief which is to create my own panorama on anything I like, focusing on either depth or motion. I have decided that the best place to probably start is by researching other photographers so that I can gain some inspirations for ideas myself. 

I have been looking through a book thats been recommended a lot on the course: The Photography Book. Below is a list of some of the photographs that I thought stood out.


Dmitri Baltermants - Kerch, Crimea (Grief) - 1942

Pg 34


Gabriele Basilica - Le Treport - 1985

Pg 40


John Davies - Allotments Overlooking Easington - 1983

Pg 110


Paul Fusco - Finca El Encanto, Mexico - 1994

Pg 164

Harry Gruyaert - Ouarzazate, Morocco - 1985

Pg 187 


John Hilliard - X - 1982

Pg 202


David Hockney - My Mother, Bolton Abbey, Yorkshire - 1982

Pg 204


Frank Hurley - The Endurance By Night - 1915

Pg 220


Nick Knight - Susie Smoking - 1988

Pg 248


Jacques-Henrie Lartigue - Gerard Willemetz and Dani - 1926

Pg 262


Gustave Le Gray - Sea and Sky - 1856

Pg 265


Source: The Photography Book
Phaidon Press Limited, 1997. The Photobook. 1st ed. London: Phaidon.

Tuesday, 9 October 2012

First Task - Face Merge

Our first task was based on Photoshop. The aim was to merge two different people's faces together to create a believable person. 
We each took a picture of ourselves in a passport style. Once everyone in the class had done this we partnered up and began merging.

Below is my picture

My first partner was James.

I began by uploading both pictures into Photoshop. I set James's face as the top layer and lowered the opacity to 50% so I could see my picture beneath. I resized and rotated them so they were both the same (using both our left eyes as an anchor reference point.) I then used a vector mask and began to rub away at the top layer to reveal parts of my face underneath. 
As I was doing this I was quite shocked at how much our skin tone actually differed. It was clear I needed to adjust the colour balance to make them mould better. I had to redo this a couple of times because parts were getting coloured that I didn't want to (such as the eyes and background.) 

Below is my final edit

("He" reminds me of an American trucker)

After completing one and enjoying it I was keen to practise more and so did another one.

This time I partnered up with Bessam.

On this edit I used myself as the main picture and rubbed away to use Bessam's eyes, eyebrows and mouth.



What issues does this raise technically?
I found the key to making the photographs believable was to get the two skin tones right. I had to adjust the picture's levels, hue, saturation and colour levels to get a realistic look. 
I used the pen tool to create selections as not to rub out certain things. For example: I couldn't rub out too far from the jawline as the person's ears underneath would appear.

What issues does this raise philosophically and ethically?
There is a lot of debate about the use of Photoshop in magazines and online etc. Many argue that it objectifies humans and creates damaging images (such as the size 0 models for example) that encourage unhealthy lifestyles and a chase for the unobtainable "perfect" image. 

What do you need to consider when planning a photo shoot of this type?
One thing I noticed was the difference in shadows on the face, particularly in mine and James's merge. He has a shadow on the right side of his face whereas I have one on the left. I couldn't really fix this problem in Photoshop so if I were to re-do it I would make sure we were both in the same lighting conditions.
Me and James used different cameras. Although this didn't affect our picture to drastically I noticed in some of my classmate's it was much more obvious.

Introduction

Introduction

Over the duration of the module I will use this blog as my learning journal. By the end of the course it will be full of the tasks and processes I have gone through to meet the learning outcomes.